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DTSTART;VALUE=DATE:20251027
DTEND;VALUE=DATE:20260107
DTSTAMP:20260727T075508
CREATED:20251224T091943Z
LAST-MODIFIED:20251224T092159Z
UID:21809-1761523200-1767743999@mgallery.kharkiv.ua
SUMMARY:Kulikov’s Days
DESCRIPTION:Story 3: The Ironic Nonconformist\nVitalii Kulikov consistently sought his own paths in form\, plasticity\, and symbolism. His graphics and painting often avoided overtly ideological narratives\, turning instead to reflection and to questions of form and meaning. This approach\, though not always explicitly political\, did not fit within the dogmas of Socialist Realism or Soviet artistic norms. As a result\, it automatically placed the artist in opposition to official standards. \nYet Kulikov’s nonconformism took the shape of a philosophical joke rather than open confrontation. A deep sense of irony allowed him to maintain autonomy and continue building his own artistic world. \nA vivid example of this ironic nonconformism is the work Presidium. In 1991\, during Kulikov’s solo exhibition at the Ukrainian House in Kyiv\, the painting was hung in a way that allowed it to be easily removed without disrupting the exhibition. When communists visited the show\, the work was taken down; when democrats arrived\, it was put back on display. \nKulikov himself described the piece as follows:\n“On the eve of holidays\, certain ‘subjects’ sit at a table on the stage\, while a mass of workers stares at them from the hall. The subjects deliver speeches. No one\, of course\, listens. To push the situation into complete absurdity\, I introduced a nude woman into the composition. As truth. She sits there naked\, while they carry on with their posturing.” \nIronic\, isn’t it?
URL:https://mgallery.kharkiv.ua/en/event/kulikov-s-days-3/
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