The exhibition, encompassing virtually the entire body of the artist’s work, features photographs created from the 1970s to the present day. It is organized by theme and chronology. Since the exhibition is retrospective in nature, both the artist and the gallery naturally sought to present not only favorite works, but also those most emblematic of each of the artist’s series. This idea also shapes the “scenography” of the exhibition itself, which consists of several sections.

The first thing visitors encounter upon entering the gallery is the series “Burned Time” (1971–1979). These works survived, either partially or completely, a fire that broke out in the artist’s studio at the time and was subsequently reinterpreted in symbolic terms…